*REPOST OF THE ORIGINAL TROUBLE-STARTER.* “My personal standard is that If someone represents, ‘A Beatle said this,’ it better damn well be something a Beatle said.”
Category: Beatles
A brief assortment
Paul McCartney’s Cavern quote, sourced to Melody Maker in Tune In. (20-18) This Cavern quote looks like either a Frankenquote or a fully mistaken citation instead of a fabrication. Mea culpa. I have learned my lesson about limbs and crawling out on them going forward, but despite my misclassification, it was based on an accurate…
Hi. Further study? (1–3)
Updated May 26. (22-5) Happy Sunday.
We find ourselves at a crossroads: The Mark Lewisohn Disaster
“The only obligation we owe to history is to rewrite it.” —Oscar Wilde
Making magic: “And all those people had to die” • Mark Lewisohn’s evolving story of Ringo and the Hamburg flood
LEWISOHN: “It was because of the flood that he was available for The Beatles again. … And all those people had to die for that- for that to happen. It was over three-hundred.” • Why?? Why would Ringo have stayed in Germany after his contract ended??
A TENDENCY TO FABRICATE HISTORY
The reason all historical associations put so much emphasis on historians being transparent is that they fully comprehend the power of the inherent trust—“the implicit assumption of honesty”—that we are forced to place in a historian. We have to trust that a relator of history is representing sources honestly and transparently because if readers cannot take that on faith historians cease to have value. The discipline of relating history collapses if we cannot trust The Historian.
DESIGNING LEWISOHN: Where was Paul when John needed him? Who could know?
Mrs. Harrison is saying that she sent George to get John out of his house so they could all play together “in their group.” Not, where was Paul? “It could be they didn’t see much of each other”—but could it? It could be that Paul went ice skating in Sweden, EXCEPT HE FUCKING DIDN’T. Why are you lying to me in legalese in a Beatles biography?
DELUSIONAL LEWISOHN
The confidence with which Lewisohn recounts a series of events that only shows beyond all doubt that “the extraordinary story” he’s about to convey was not “unearthed,” but concocted—or dreamed—while clearly expecting the listener to see how it fits together and proves his narrative seems inexplicable to me by anything but delusion. Or if there is a rational explanation, it lies beyond my earthbound grasp.
The Evolving Story of Kim Bennett, Pt. 1: Before Lewisohn
Part I of Sharon’s deep investigation into the star witness of Tune In, and Mark Lewisohn’s seeming determination to pretend Kim Bennett’s previous stories away.
A basic Lewisohn fabrication: add a coke, a few requests, and shove a retrospective opinion into Paul McCartney’s mouth (Ch 20-Footnote 18)
While perhaps not a murder, this rewrite is still a felony and shows many of the hallmarks of both Lewisohn’s worst as well as his more seemingly-innocuous butcheries. Specifically, they usually begin or end with a wholly invented line that Lewisohn uses as a thesis statement. And they all show an unbelievable disregard for truth and a license to insert and represent his own words as those of a historical figure that cannot fail to shock the conscience of a scholar.
Exact Words 