We find ourselves at a crossroads: The Mark Lewisohn Disaster

The only way to preserve Beatles history—but more importantly, the only way to uncover that history in the first place—is to make it accessible. Universal. Free. The more it is shared, the more it is preserved. That is the only thing that ensures its survival. Knowledge monopolized is knowledge doomed to perish.

DELUSIONAL LEWISOHN

The confidence with which Lewisohn recounts a series of events that only shows beyond all doubt that “the extraordinary story” he’s about to convey was not “unearthed,” but concocted—or dreamed—while clearly expecting the listener to see how it fits together and proves his narrative seems inexplicable to me by anything but delusion. Or if there is a rational explanation, it lies beyond my earthbound grasp.

A basic Lewisohn fabrication: add a coke, a few requests, and shove a retrospective opinion into Paul McCartney’s mouth (Ch 20-Footnote 18)

While perhaps not a murder, this rewrite is still a felony and shows many of the hallmarks of both Lewisohn’s worst as well as his more seemingly-innocuous butcheries. Specifically, they usually begin or end with a wholly invented line that Lewisohn uses as a thesis statement. And they all show an unbelievable disregard for truth and a license to insert and represent his own words as those of a historical figure that cannot fail to shock the conscience of a scholar.

AKOM “Fine Tuning” Episode 6: A prolonged jealousy

Another really excellent episode that I will have to listen to at least two more times to fully ingest, despite having lots of diffuse, unconnected notes where I ranted about most of the same text. They really backed up and gave it context and meaning, including adding a lot of things that I didn’t have…

John in the Star Club Tapes: No Mr. Lewisohn, he is not charming

“John— we need to talk about John Lennon on this recording. These recordings. Because he’s uh— he’s- he’s- he’s belligerent. Um, he’s under the influence of— I’m sure he’s under the influence of Prellies. Probably drink, as well. Um, he’s beguiling, he’s rude. He’s still charming. He’s— I mean he’s not horrible. He’s just —yeah— he’s just edgy!” -Mark Lewisohn