“My dear Fanny”

Mary is all, “I’m so glad we’re going to be sisters!” and Fanny writes back, “Thank you for the honour of your note. Here is an icicle.’

Explaining what I’ve uncovered in Jane Austen’s “Emma”

❧ Between Chapter 1 and Chapter 32 there are a total of 4 exceptions to the Miss Bates Rule.
❧ How “Miss Bates”—the device—commonly works.
❧ Finding Frank on those walks with Mr. Dixon, Miss Campbell, and Jane.
❧ The piano scene is romantic?

If Frank Churchill believed Emma knew the truth…

He’d almost confessed, and suddenly Emma asks Jane to dinner. And then after talking about Jane’s walk to the post office Emma says how nice Frank’s handwriting is, and then she takes Jane’s arm to escort her into the dining room? That’s it, Emma must know.

The Piano Scene: through Jane’s eyes

Which, no Frank did not just tell a beautiful woman that he would have “given worlds —all the worlds one ever has to give—” for anything, let alone another half hour to dance, because he wanted to get away from Miss Bates!
And Jane responds with maybe the most magical sentence of the novel, because it’s all right there.
“She played.”

The conversation between Mrs. Weston, Mr. Knightley and Emma about why Jane Fairfax “consents to be with the Eltons” in which Emma calls EVERY SINGLE POINT right can lead me into what I need to say about Jane Austen’s ‘Emma’

I like it not only because it’s a very particular way of bringing forward points that the author wants us to be aware of—like the conversations in Pride and Prejudice at Bingley’s when Jane is sick—but also because half of what Mr. Knightley says needs the “rules of address” translation tweak to be properly understood, plus the bonus to make it all perfect, because Jane Austen counterintuitively allows Emma to be very precisely and exactly right on every point in her summation. (And you need her saucy lead-in to make the perfection fully sparkle.)