DESIGNING LEWISOHN: a bloody dissection

Mrs. Harrison is saying that she sent George to get John out of his house so they could all play together “in their group.” Not, where was Paul? “It could be they didn’t see much of each other”—but could it? It could be that Paul went ice skating in Sweden, EXCEPT HE FUCKING DIDN’T. Why are you lying to me in legalese in a Beatles biography?

DELUSIONAL LEWISOHN

The confidence with which Lewisohn recounts a series of events that only shows beyond all doubt that “the extraordinary story” he’s about to convey was not “unearthed,” but concocted—or dreamed—while clearly expecting the listener to see how it fits together and proves his narrative seems inexplicable to me by anything but delusion. Or if there is a rational explanation, it lies beyond my earthbound grasp.

Lewisohn literally ends ‘Tune In’ with a fabricated John Lennon quote

Okay, I admit that ‘it was just a matter of time before everybody else caught on’ is a much more satisfying end to John’s thought and definitely a better closing line to the book than ‘you play me those tracks and I want to remake every damn one of them,’ but that doesn’t mean you just get to make up a better line and pretend John said it.

Explaining what I’ve uncovered in Jane Austen’s “Emma”

❧ Between Chapter 1 and Chapter 32 there are a total of 4 exceptions to the Miss Bates Rule.
❧ How “Miss Bates”—the device—commonly works.
❧ Finding Frank on those walks with Mr. Dixon, Miss Campbell, and Jane.
❧ The piano scene is romantic?

If Frank Churchill believed Emma knew the truth…

He’d almost confessed, and suddenly Emma asks Jane to dinner. And then after talking about Jane’s walk to the post office Emma says how nice Frank’s handwriting is, and then she takes Jane’s arm to escort her into the dining room? That’s it, Emma must know.

The Piano Scene: through Jane’s eyes

Which, no Frank did not just tell a beautiful woman that he would have “given worlds —all the worlds one ever has to give—” for anything, let alone another half hour to dance, because he wanted to get away from Miss Bates!
And Jane responds with maybe the most magical sentence of the novel, because it’s all right there.
“She played.”

AKOM “Fine Tuning” Episode 6: A prolonged jealousy

Another really excellent episode that I will have to listen to at least two more times to fully ingest, despite having lots of diffuse, unconnected notes where I ranted about most of the same text. They really backed up and gave it context and meaning, including adding a lot of things that I didn’t have…

John in the Star Club Tapes: No Mr. Lewisohn, he is not charming

“John— we need to talk about John Lennon on this recording. These recordings. Because he’s uh— he’s- he’s- he’s belligerent. Um, he’s under the influence of— I’m sure he’s under the influence of Prellies. Probably drink, as well. Um, he’s beguiling, he’s rude. He’s still charming. He’s— I mean he’s not horrible. He’s just —yeah— he’s just edgy!” -Mark Lewisohn

Ninety Years Ago Today My Father Was Born

Then turned on one toe, hopped off the huge wooden table and started off, head high, when I heard him slap the table hard with his big hand – the way everyone who knew him remembers he did in his constant, big-ness that encompassed all sight, movement, and certainly sound – and laughed his ass off.

Virginia Woolf on Jane Austen

“…even if the pangs of outraged vanity, or the heat of moral wrath, urged us to improve away a world so full of spite, pettiness, and folly, the task is beyond our powers. … No touch of pettiness, no hint of spite, rouse us from our contemplation. Delight strangely mingles with our amusement. Beauty illumines these fools.”

A basic Lewisohn fabrication: add a coke, a few requests, and shove a retrospective opinion into Paul McCartney’s mouth (Ch 20-Footnote 18)

While perhaps not a murder, this rewrite is still a felony and shows many of the hallmarks of both Lewisohn’s worst as well as his more seemingly-innocuous butcheries. Specifically, they usually begin or end with a wholly invented line that Lewisohn uses as a thesis statement. And they all show an unbelievable disregard for truth and a license to insert and represent his own words as those of a historical figure that cannot fail to shock the conscience of a scholar.

CALL IT “CONSPIRACY”: the plot against Georgiana Darcy (Pride and Prejudice)

Mrs. Younge was able to buy “a large house” in a nice part of London immediately after her plot with Wickham was foiled. And since we know that she didn’t take advantage of a low-interest rate deal at her local lender, that means that she had the money to buy it while she was working as Georgiana’s governess.